Zoe Affected By Travel

I’ve been shifting between temporary quarters since the end of April, and poor Zoe has been carted along without protection. This image doesn’t really show all the effects.

Zoe travel affected

Her nose got a bit pushed to the side and flattened, and one side of her face pushed in.

I don’t have a suitable tool at hand right now to do the detailed corrections I’d like to do, so anything more than superficial repairs will have to wait. I should also start figuring out how to make a mold of this. Obviously, modeling clay can be easily affected by events.

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Designing a Cover

Years ago, I considered possible ideas for the cover art for my still-in-process fantasy novel, The Ring of Adonel. There are many possiblities: should I focus on the main character or on the cause of the action, the object everything is revolving around?

Recently I unearthed the following pieces that display my early thinking on the issue. In this case, I opted to focus on the object and its history.

Ring of Adonel sketch

The sketch was done on notepaper, and then quick ink with a felt-tip pen to create the general outline.

The Ring is there, and the figure of Adonel in flames. (Do you really want the whole explanation of the moment?)

From this, I experimented in rendering it in crayon. I’m not sure why I selected that medium, though it might have been about wanting the strong colors for the flames.

Ring of Adonel

Having rediscovered this piece, I’m liking it. It may become the basis for a more finished work.

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Juvenalia Meets Poe

The following was a black and white tempura piece I did in nineth grade as part of a unit on short stories. I don’t recall whether adding artwork to my report was required, but I did it. It’s supposed to be for Poe’s story, “The Tell-Tale Heart,” where the murderer approaches his victim.

It’s a notable early instance of my love for high contrast. I still love adding extreme contrasts occasionally.

The Tell-Tale Heart

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An Incomplete Thunderbird

Once upon a time I planned to do a story that included as one of the characters the Thunderbird of Native American traditions. He was going to be a shape-changer who would take on the form of a man. But I never got so far as writing the story (yet). Instead, I started on this piece of artwork.

Thunderbird

Unfortunately, I didn’t complete the picture either, and it has sat in this state for quite a long time (I’m not even going to try and figure out how many years). It saddens me that I haven’t finished it yet, because I really do like this piece. Doubly unfortunate is the fact that the paper has aged considerably (this photo of it has been image adjusted in Photoshop), making the paper both slightly yellowed and delicate. I suspect that I will instead complete it digitally, and keep the original in better protection now.

Even so, even in its incomplete state, I like the picture. It catches him in mid-transformation. The left side of the picture would have the arm as a wing, with feathers.

As you can see, the inks in the lower portion were so heavy that they reflected back the flash when I took the photo of the piece. I was definitely going for a very dark black there.

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Introducing My Dragon Gallery

I’m not exactly sure how started my collection of dragons. I just like dragons. If I saw an interesting looking dragon, I would buy it. But as time went along, I acquired quite a number of dragons of various sorts. And then it eventually became a conscious choice, to collect dragons. But I do like them to be different. Not the same ones you can find anywhere.

I’ve been meaning to post a gallery of images of my collection on my website, but creating the html page in such a way that it could be updated every so often. And then it occured to me that adding such a gallery to my Graphics blog would answer very well. And I can tell the stories of my various dragons along the way.

As I said, I hadn’t realized I was making a collection. But that changed the day I got the following as a Christmas present from some very perceptive friends –

sign-net

It’s a very cool sign. I have no idea where they found it. But it amused me the instant I unwrapped it. So, even though it is not my oldest dragon, it’s a good way to introduce my family of dragons.

Check out the Dragon Gallery from the navigation menu above. As time goes along, I’ll be telling the stories of how the various dragons came to me. In the meantime, they’re here to be seen.

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Playing With Puns

I’ve been an avid fan of the Sherlock Holmes stories since the fourth grade, when I inadvertantly began my acquaintence with the Great Detective by reading His Last Bow first, before any of the other stories. I was hooked right away.

So the pun that showed up in the BBC Sherlock amused me greatly, and led to this whimsy:

Sherlocked
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Digital experimentation

I’m still learning the various possibilities with Photoshop. Today, after dealing with a bunch of other things, I decided to relax and do some experimenting. This is not very polished or even particularly intentional as art. But it amused me.

Sunset

Practice is everything. I need more of it.

 

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ViaDuck’s First Strip

I needed a graphic for Paper Movies that would illustrate how something can happen between panels, “in the gutters” as the saying goes. Something simple and uncomplicated. So I turned to ViaDuck and gave him something to do.

ViaDuck in “Pay Attention”

ViaDuck in "Pay Attention"

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Meet the Professor

As I work on a writing project about creating graphic novels, I needed to create a graphic persona who will help explain things. On the TV show CSI , I and some friends used to call Captain Brass “Captain Exposition”, because he was frequently stuck with reciting the recap of either the case or (at the half-way mark of the show) the episode up to that point. But I couldn’t repeat that. But it occured to me that since this book was about helping people learn the ins-and-outs of graphic novels, the character would be a teacher: so why not make him a professor.

So that’s how Professor Exposition was born. At least, he’s a cheerful fellow.

Professor Exposition

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Pencil Portraits from the Past

Since I had the scanner out, it seemed a good time to scan these four works before I got them back up on the wall. They represent my appreciation of “costume roles”, mainly because the portraits are fun to draw then. But it does require finding a satisfactory reference image to work from.

These are done free-hand, not by tracing with a lightbox. Once upon a time it would never have occured to me that I would need to make that declaration. Yes, kiddies, this is all hand-eye-coordination. It takes practice. :D

Glenda Jackson as Elizabeth I

This is Glenda Jackson as Elizabeth I in the British television series Elizabeth R. I have always had a fascination with Queen Elizabeth, and Jackson remains my favorite actress when it comes to dramatic portraits of her. This drawing was the first “pencil portrait” I had attempted.

Richard Chamberlain as the Count

Richard Chamberlain as the Count in a television adaptation of The Count of Monte Cristo. The particular photo I worked from looked very striking and it invited me to attempt the portrait. I’ve always been fond of this one.

Richard Chamberlain as Louis XiV

Chamberlain again as Louis XIV (or is it his twin?) in a television adaptation of The Man in the Iron Mask. Rendering the lace was part of the fun of this portrait. (There were also some technical glitches when I scanned this, because my scanner, in its arcane wisdom rendered the image rotated somewhat — I suppose in order to get the whole oval. But righting the image to the vertical was a bother, and I still didn’t get it perfectly back on its correct axis. Sorry) Anyway, capturing the flavor amused me. (Even though, strictly speaking, Chamberlain is far too tall to be Louis, who was notoriously short.)

Toshiro Mifune as Toranaga

Toshiro Mifune as Lord Toranaga in the mini-series Shogun. He has such an interesting face, it was fun to try and catch that. Also there was the challenge of getting the impression of the silk fabrics. I did skimp out on the details of the hawk, however. Partly because, as I recall, the image I was working from didn’t clearly capture the look of the feathers. Still, I like this.

Anyway, there they are. I’ll shortly be scanning the Musketeers from the Richard Lester film version of The Three Musketeers (yes, that will make three portraits of Richard Chamberlain). There are some others I have done, but I’m not sure where the originals are. As I find them, I will scan them.

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