New Art After A Break

It’s been several months since I last worked on any artwork. Part of that was simply the return to Los Angeles taking up a lot of my attention. And then there was the “settling in” to new patterns in my life.

But lately, I’ve been missing the outlet of doing some artwork. So, this week, I tackled some.

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I had had this piece sketched out for a while, but just hadn’t tackled the actual coloring. The image is from a photo I took at Huntsville State Park in Texas years ago.

I always liked the eye-hole view through the end of the log. But this piece was too small to make very much of that view. Still, all in all, I’m pleased with the results. Especially after a break of six months.

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My Star Wars Paintings

When I moved out of my old apartment at the end of April 2013, I thought I had put all of my paintings into storage. There were some sheets of cardboard and matting board in the bottom of my car trunk all this time. As I started making plans to pack up for my return to Los Angeles from Oregon, I thought that I might as well get rid of those sheets. After two years of having baggage scraped over them, I wasn’t going to be using them in artwork.

So today, as I am preparing to repack the car, I pulled up to the dumpster to get rid of them. I opened the trunk and started to gather up the sheets. Except, there was more under them than I thought. Three canvas boards, in fact. Three pieces of fan-art done before I moved from Texas to California.

The first one I painted after the original Star Wars movie came out.

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The others were done after each film was released. The one for The Empire Strikes Back turned out all right, with parts of it that I really like.

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I did Yoda in blue in the lower right because I needed the background to be green.

Having done two paintings, when The Return of the Jedi came out, I of course had to finish the set. In that painting, I had problems trying to get Harrison Ford’s face right. It was a challenge.

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I think the composition of this one turned out the best.

All in all, it amused me that for some reason these three pieces have been traveling around with me for two years and I didn’t realize it.

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A Snowy Sunrise

My latest effort in the series of art cards is a piece drawn from a photo that my friend Eric Alderfer posted on Facebook. The delicate coloration was a challenge, because none of my ink pens had quite the degree of pastel shading I needed for the sense of snow in morning light. My solution to this problem was to use stippling in those sections I wanted to be lighter.

I am happy with the results.

scribblerworks-art-card-snowy-sunrise

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My View of Mount Shasta

I took a photo on the fly of Mount Shasta recently, when I drove down to Yreka, California to take care of the smog check and registration for my car. It’s not an ideal photo, because the car was in motion.

I was curious as to whether I could get a satisfactory drawing of the mountain from my photo.

The mountain rises up of the spreading landscape, all by herself. The lower slopes seem gentle and low because Shasta stands all alone in the wide expanse. She’s a very queenly mountain, shining over the landscape.

I don’t think I quite caught that in this piece of art. But I enjoyed trying for it.

scribblerworks-art-card-mount-shasta

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Bringing Out the Mountains

For my next picture, I decided to do one of a mountain lake. Reflections are always an interesting thing to tackle.

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Once I got the foreground in, I decided that it would be best to define the landscape by doing the sky first. Then it was filling in the left-side mountain.

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Then I tackled the right-side middle ground mountain.

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Then, of course, finishing off the background mountains.

I was very satisfied with the results.

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Stylizing a Volcanic Eruption

Because I enjoyed the results of my “stained glass” sunset over water, I decided to challenge myself a bit more. I had a photo reference of a volcanic eruption and wanted to see what I could make of that.

This is the result:

scribblerworks art card eruption

I like it. And it makes me want to try other things too. This is fun.

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Reviving a Personal Style

Back in the “ancient times” of my life, I developed a style I used at times, primarily when I was working with acrylic paints. I called it the “stained glass” look. Of course, it can work quite well when I’m using the colored ink pens, too.

To try it out again, I decided to experiment with a sunset over water, working from a photo reference. I was pretty satisfied with the results.

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I shall be doing more of this style. It’s a fun challenge, since part of it is to avoid too many curves in the color blocks.

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Waters and Sunsets

So I finally finished the first batch of art cards for my client, and sent them off in the mail. It will be interesting to see how they go over.

The last picture in the group was of a sunset over water.

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Attempting sunsets and water in this manner is very challenging. First, the image is small – the outside edges of the cards are 5 1/4″ by 4″, so that’s a small space for the art. Sunsets are delicate things in any medium. Here, I’m limited with the color saturation of the pens I use – there’s not a means to make the colors more pastel – so it is all in the color selection and the spacing of the dots in the stippling.

Water too is a tricky thing to draw, especially with color stippling. And in this case, there is also the color effects from the sunset on the water as well.

I’m pretty pleased with the way this turned out. However, it wasn’t until I posted this that I realized the angle of the woman’s shadow is wrong. It works in the composition of the picture, but the physics of the light are off. Ah well.

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The Hummingbird and His Perch

I’d run across a photo of a blue hummingbird sitting in the cup of a flower and fell in love with the image. The shapes and lines and colors all appealed to me. So I added it to my collection of photo references.

This week, I finally had the time to see if I could capture it in my artwork. I took some pictures along the way.

I decided that getting a sense of the flower was what I needed to get down first. It was the key to the rest.

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The fun part about stippling, especially when working in color is that you can get a great deal of subtlety to an image. That was what I did with the flower.

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Then there was coloring the bird.

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Filling in the rest was a challenge, because I wanted to get enough variation in the background (which was not well defined in the original photograph that I worked from). But in the end, I was pleased with what I achieved.

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UPDATE: I have, since this drawing was completed and named, learned that the bird is actually a Kingfisher, not a Hummingbird. Oh well. Such is life. 🙂

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Elemental Dancing Part 2

In an earlier post, I displayed the first two of a set of four. Drawing of dancers representing the medieval “four elements” – earth, air, water, and fire. The first two were “Firedancer” and “Winddancer”.

I finally finished the other two.

First up, “Waterdancer.”

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The last one took a bit more thought. How was I to represent “earth”? I ended up choosing to indicate the earth by including growing vegetation.

So… “Earthdancer.”

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I’m happy with how they turned out.

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